QSC Audio Stereo Amplifier DCA Series User Guide

Cinema Accessories  
for DCA Series amplifiers  
U S E R M A N U A L  
XC-3  
LF-3  
SF-3  
Two-way crossover with delay  
Low-frequency filter with delay  
Subwoofer filter  
*TD-000079-00*  
TD-000079-00 rev. B  
 
TABLE OF CONTENTS  
INTRODUCTION  
Introduction and description of each model.................................4  
CONFIGURING THE ACCESSORIES  
General configuration information, all models...............................5  
XC-3  
Setting up the XC-3....................................................................6  
Factory-installed SIPs..........................................................6  
Factory-switch settings.........................................................7  
Recommended amplifier settings......................................7  
Illustrations: Setup flow chart, XC-3 front and rear, delay and crossover SIP  
selection charts, SIP identifier chart, and HF boost response curve.  
LF-3  
Setting up the LF-3....................................................................8  
Factory-installed SIPs..........................................................9  
Factory switch settings.........................................................9  
Recommended amplifier settings......................................9  
Illustrations: Setup flow chart, LF-3 front and rear, delay and crossover SIP  
selection charts, SIP identifier chart.  
SF-3  
Setting up the SF-3....................................................................10  
Factory-installed SIPs.........................................................11  
Factory switch settings.........................................................11  
Recommended amplifier settings......................................11  
Illustrations: Setup flow chart, SF-3 front and rear, low-pass/high-pass SIP  
selection chart, SIP identifier chart.  
MOUNTING TO AMPLIFIER...............................................12  
APPLICATION EXAMPLE......................................................................13  
WARRANTY INFORMATION.........................................14  
HOW TO CONTACT QSC AUDIO PRODUCTS ....................15  
3
 
INTRODUCTION & DESCRIPTION OF EACH MODEL  
Introduction  
This manual covers setup and operation of cinema crossover accessories for QSC DCA Digital Cinema Amplifiers. There are three  
models: the XC-3 crossover, the LF-3 low frequency filter, and the SF-3 subwoofer filter. Together with DCA amplifiers, they allow  
you to assemble any type of cinema sound system, mono or multi-channel.  
Each accessory mounts directly to the back of the amplifier by plugging into the amplifier’s DataPort and is secured with three screws.  
Operating power and all connections between the accessory and amplifier are provided by the DataPort connection.  
Frequency and delay parameters are user-adjustable by inserting selected 8-pin SIP resistor networks into sockets on the underside  
of the accessory. A DIP switch permits selection of functions such as delay and high-frequency boost, depending upon model. Each  
accessoryincludesanassortmentoftheproperSIPresistornetworksandthreemountingscrews. KeeptheunusedSIPsforfutureuse.  
Description of each model  
XC-3  
This accessory is a two-way crossover, with the low frequency band fed to channel 1 of the amplifier and the high frequencies to  
channel 2. An all-pass filter on the low frequency band delays the audio signal, permitting time alignment of a cone driver with  
a high-frequency horn. A selectable high-frequency boost circuit provides several increments of compensation for screen loss or  
constant-directivity horn equalization. A HF trim control provides 0 to 20 dB of attenuation for matching levels between  
frequency bands.  
The XC-3 can be used by itself with one amplifier for a 2-way system (shown opposite page, bottom-left), or with the LF-3  
and an additional amplifier for 3-way systems, as shown, opposite page, bottom-right. The XC-3 has apass-through output in  
parallelwiththeinputfordistributing the audio signal to the LF-3. The filter circuitry uses a 4th-order Linkwitz-Riley alignment  
with 24 dB/octave slopes.  
LF-3  
UsedinasystemwiththeXC-3, theLF-3performsthelow-frequencycrossoverfunctionsina3-waysystemasshown, opposite  
page, bottom-right.UnliketheXC-3, ithastwodiscrete channels; one LF-3 with an amplifier will support two other amplifiers  
with two XC-3 accessories, as shown. The 4th-order Linkwitz-Riley low-pass filters have 24 dB/octave slopes.  
Each channel has an all-pass filter providing delay for time alignment. Frequency and delay parameters for both channels  
are set individually, although typically they would be set the same.  
Each channel has a trim control that provides 0 to 20 dB of attenuation for matching levels among the various frequency  
bands.  
SF-3  
The SF-3 Subwoofer Filter has two summed inputs and a bandpass filter that defines the frequency range of the subwoofer  
program. The frequencies of the 2nd-order high-pass and 4th-order Linkwitz-Riley low-pass filters are both set by the user  
by selecting and installing the appropriate SIP networks. The high-pass filter also has a switchable low-frequency boost  
feature:switchedon,itprovidesa6dBbumpattheselectedhigh-passfrequency,usefulforextendingthelow-endresponse  
ofsomespeakersystems;off,theresponseisaflatButterworthcurvethatis3dBdownattheselectedfrequency.Theoutput  
is parallel, feeding the same signal into both channels of the amplifier. The SF-3 has no delay function. A level trim control  
provides 0 to 20 dB of attenuation.  
The SF-3 can be used to derive subwoofer-range programfromfull-rangeaudio, as shown, opposite page, bottom-left. Itcan  
also be used with a discrete subwoofer channel in cinema sound systems.  
4
 
CONFIGURING THE ACCESSORIES  
Configurable functions of the three accessory models  
Configuring the Accessories  
Configure each accessory before you mount it to the ampli-  
fier. If an accessory is already mounted to an amplifier,  
always turn the amplifier off before changing switch set-  
tings, changinginputoroutputconnections, ordetachingthe  
accessory.  
Use the tables on the following pages to determine the  
correct SIP resistor network value for the desired frequency  
and delay settings. SIP identification charts are included to  
help you identify the values of the resistor networks. A  
flowchartforeachmodelwillhelpyouproperlyconfigurethe  
accessory.  
NOTE: Even if you don’t use a particular filter or delay  
feature on an accessory, put an unused SIP resistor  
network of any value into its socket to ensure circuit  
stability when it is powered up.  
The SIP resistor networks have no polarity and therefore do  
not need to be inserted in a certain direction. Make sure all  
eight pins are inserted properly into the socket holes, and  
then gently but firmly press the network into the socket until  
itisfullyseated.IfaSIPresistornetworkisdifficulttoremove  
with your fingers, use a small screwdriver, prying gently first  
at one end of the SIP and then the other, until it is loose.  
Using the XC-3 and LF-3 in a stereo three-way system  
Using the XC-3 in a simple two-way system. In many speaker  
systems, a passive mid/high combination will handle the higher  
frequencies, creating essentially a three-way system.  
Using the SF-3 with a discrete subwoofer channel  
5
 
XC-3  
Setting up the XC-3  
Setup flowchart for the XC-3  
Setting up the XC-3  
Setting up the XC-3 requires setting the DIP switches and  
selecting/inserting SIP resistors into the appropriate sockets.  
DIP switches #2, #9, and #10 must be set to the ON position  
(default settings for the XC-3). The flowchart below takes you  
through all the steps necessary before mounting the accessory  
to the amp.  
Theillustrationbelowshowsthelocationsofthesocketsforthe  
SIPresistornetworks. TheSIPresistornetworkscanbeinserted  
either way, as long as each network pin goes into its own hole  
inthesocket.Straightenthepins,ifneeded,beforeinsertingthe  
SIP into its receptacle.  
Use the tables on the following page to select the correct  
resistor networks for the settings you need. The SIPs supplied  
with the XC-3 provide a selectable frequency range for fXO of  
80 Hz to 1.5 kHz, and delay settings from 0.3 to 1.8 milliseconds;  
contact QSC’s Technical Services Group if your application  
requires different settings.  
When using the XC-3 in a three-way system in conjunction with  
the LF-3, the lower frequency (fHP) should match the crossover  
frequencyoftheLF-3(fXO).TheSIPssuppliedwiththeXC-3allow  
a selectable frequency range for fHP of 80 to 500 Hz.  
XC-3 Factory-installed SIPs  
fXO  
500 Hz (12 kW SIP resistor in J1)  
1.8 milliseconds (27 kSIP resistor in J2)  
80 Hz (68 kSIP resistor in J7)  
LF delay  
fHP  
XC-3 controls,  
switches, and SIP  
socket locations  
6
 
XC-3  
Setting up the XC-3  
XC-3 Factory Switch Settings  
When shipped from the factory, the DIP switch settings should be set as follows:  
Switches 7 & 8 ON:  
sets XC-3 to Biamp mode  
Switch 1 ON:  
activates LF delay  
Switches 3 through 6 OFF: HF boost disabled  
Switches 2, 9, and 10 ON: Factory default settings for proper operation.  
XC-3 Recommended Amplifier Settings  
Clip limiters: ON (both channels)  
Lowfrequencyfilters:ON(bothchannels),selecteither30  
or 50 Hz roll-off, depending on speaker specifications  
(both channels)  
Operating mode: stereo  
Use these tables to determine the  
Identifying SIP resistor networks  
correct resistor values for the crossover  
frequencies and delays you need. The  
shaded values are for the high-pass  
frequency (fHP) of the XC-3.  
Crossover freq. (fXO  
)
SIP resistor value  
80 Hz  
150 Hz  
200 Hz  
250 Hz  
300 Hz  
350 Hz  
400 Hz  
500 Hz  
600 Hz  
650 Hz  
800 Hz  
1 kHz  
68K  
39K  
27K  
22K  
20K  
18K  
15K  
12K  
10K  
8.2K  
6.8K  
5.6K  
4.7K  
3.9K  
Delay (ms)  
SIP resistor value  
1.8  
1.4  
1.3  
1.2  
1
27K  
22K  
20K  
18K  
15K  
12K  
10K  
8.2K  
6.8K  
5.6K  
4.7K  
0.8  
0.7  
0.6  
0.5  
0.4  
0.3  
1.2 kHz  
1.5 kHz  
Effects of high frequency boost on  
frequency response (crossover  
frequency = 500 Hz). A boost of +10 dB  
is most common for compensating for  
screen loss (attenuation of high  
frequencies as sound passes through  
screen perforations).  
7
 
LF-3  
Setting Up the LF-3  
Setting up the LF-3  
Setup flowchart for the LF-3  
SettinguptheLF-3requiressettingtheDIPswitchesand  
selecting/inserting SIP resistors into the appropriate  
sockets. DIP switches #2 and #4 through #9 must be set  
to OFF, and switch #3 set to ON (factory default for  
properoperation).Theflowchart,right,takesyouthrough  
the steps necessary before mounting the accessory to  
the amp.  
TheLF-3istypicallyusedinasysteminconjunctionwith  
the XC-3 crossover. For example, a stereo three-way  
system will require three DCA amplifiers, two XC-3’s,  
and one LF-3. The typical input signal is full-range audio  
taken from the XC-3’s male XLR connector labeled  
“OUTPUT (TO LF-3)”.  
Theillustration, below, showsthelocationsofthesock-  
etsfortheSIPresistornetworks. Theresistornetworkscanbeinsertedeitherway, aslongaseachpingoesintoitsownreceptacle.  
Straighten pins, if needed, before inserting the SIP into its receptacle.  
Use the tables on the following page to select the correct resistor networks for the crossover frequency (fXO) and delay settings you  
need. The SIPs supplied with the LF-3 provide a range of frequency selections from 80 Hz to 500 Hz, and delay settings from 0.3  
to1.8milliseconds;delaycanbebypassedbyputtingSwitches1and10intheOFFposition.ContactQSC’sTechnicalServicesGroup  
if your application requires different settings.  
When using the LF-3 in a three-way system in conjunction with the XC-3, the crossover frequency of the LF-3 (fXO) should match the  
lower high-pass frequency (fHP) of the XC-3.  
In most circumstances, the LF-3 would be used with an amplifier in stereo mode. But if two amp channels are needed for one low  
frequency signal, you can use the Input 1 connector of the LF-3 and parallel the inputs of the amplifier. Amplifier inputs can be  
paralleled using the amplifier’s DIP switches (mode switches).  
LF-3 controls,  
switches, and SIP  
socket locations  
8
 
LF-3  
Setting Up the LF-3  
LF-3 Factory-installed SIPs  
fxo  
350 Hz, both channels (18 kSIP resistor installed in J6 and J8)  
Delay  
1.4 milliseconds, both channels (22 kSIP resistor installed in J1 and J2)  
LF-3 Factory Switch Settings  
When shipped from the factory, the DIP switch settings should be set as follows:  
Switch 1 and Switch 10 ON:  
Switch 2 and Switches 4 through 9 OFF: Required default setting for proper operation of the LF-3  
Switch 3 ON: Required default setting for proper operation of the LF-3  
Delay active (both channels)  
LF-3 Recommended Amplifier Settings  
Clip limiters: ON, (both channels)  
Low-frequency filters: ON (both channels), select either 30 or 50 Hertz roll-off depending on speaker specifications (both channels)  
Operatingmode:TypicallyStereomode, butParallelmodecanbeusedinapplicationsrequiringdualLFampchannelswithonesource  
Identifying SIP resistor networks  
Use these tables to determine the  
Delay (ms)  
SIP resistor value  
correct resistor values for the crossover  
frequencies and delays you need.  
1.8  
1.4  
1.3  
1.2  
1
27K  
22K  
20K  
18K  
15K  
12K  
10K  
8.2K  
6.8K  
5.6K  
4.7K  
Crossover freq. (fXO)  
SIP resistor value  
80 Hz  
150 Hz  
200 Hz  
250 Hz  
300 Hz  
350 Hz  
400 Hz  
500 Hz  
68K  
39K  
27K  
22K  
20K  
18K  
15K  
12K  
0.8  
0.7  
0.6  
0.5  
0.4  
0.3  
9
 
SF-3  
Setting up the SF-3  
Setting up the SF-3  
Setting up the SF-3 requires setting the DIP switches, and  
selecting/insertingSIPresistorsintotheappropriatesockets.  
DIP switches #1 through #6 and #10 must be set to OFF  
(factory default for proper operation). The flowchart, right,  
takes you through all the steps necessary before mounting  
the accessory to the amp.  
The illustration below shows the locations of the two SIP  
sockets on the SF-3. The resistor networks can be inserted  
either way, as long as each pin goes into its own receptacle.  
Straighten pins, if needed, before inserting the SIP into its  
receptacle.  
The mono subwoofer program can be derived from summing  
and filtering stereo or mono full-range audio or it can come  
fromadiscretemonosubwooferchannel,suchasina5.1,6.1,  
or 7.1 cinema surround system. If the subwoofer program is  
tobederived,usetheSF-3’slow-passfiltertosetthehighendofthesubwooferpassband.Ifthesubwooferprogramsourceisadiscrete  
channel, as in most cinema systems, we recommend you bypass the low-pass filter.  
Use the table, opposite page, to select the correct resistor networks for the SF-3’s filter frequency settings. The SIPs supplied provide  
a selection of three low-pass frequencies: 80, 150, and 250 Hz; and six high-pass frequencies from 20 to 50 Hz. Use the speaker  
manufacturer’s recommended filter settings.  
The low-frequency boost switch selects the Q of the high-pass filter: 0.707 for flat (Butterworth), or 2 for “boost,” which adds a 6 dB  
peak at the filter’s selected frequency.  
SF-3 controls,  
switches, and SIP  
socket locations  
10  
 
SF-3  
Setting Up the SF-3  
SF-3 Factory-installed SIPs  
fHP= 30 Hz (27 kSIP resistor in J2)  
fLP= 250 Hz (22 kSIP resistor in J6)  
SF-3 Factory Switch Settings  
When shipped from the factory, the DIP switch settings should be set as follows:  
Switches 1 through 6 and Switch 10 OFF: Default setting for SF-3  
Switches 7 & 8 ON: Low-pass filter off (“cinema” setting)  
Switch 9 OFF: LF flat  
SF-3 Recommended Amplifier Settings  
Clip limiters ON (both channels)  
High-pass filter OFF (both channels)  
Operating mode: Stereo or Bridge mode, as the application requires  
Use this table to determine the correct  
resistor values for the SF-3 filter frequencies.  
Identifying SIP resistor networks  
Low-pass freq. (fLP)  
SIP resistor value  
80 Hz  
150 Hz  
250 Hz  
68K  
39K  
22K  
High-pass freq. (fHP  
)
SIP resistor value  
20 Hz  
25 Hz  
30 Hz  
35 Hz  
40 Hz  
50 Hz  
47K  
33K  
27K  
20K  
15K  
10K  
11  
 
MOUNTING- All Models  
Mounting the Accessories  
An accessory may be mounted with the amplifier either in or out  
of the rack, even if the amp is installed with rear rack ears.  
1. Turn off the amplifier before installing the accessory.  
2. Make sure the SIP resistor networks are installed properly and no SIP sockets  
are empty.  
3. LineuptheHD-15connectorontheaccessorywiththeamplifier’sDataPort,then  
press the accessory onto the back of the amplifier so that the HD-15 connector  
inserts into the DataPort.  
4. Use the three screws supplied to secure the accessory to the amplifier  
chassis, as shown below. Two long screws go into the holes near the  
DataPort, while the short screw goes through the hole in the tab on the right  
edge of the accessory. Do not overtighten the screws.  
5. Attach the input and output cables to the appropriate connectors on the  
accessory.Usetheamplifier’snormaloutputconnectorsforattachingspeaker  
and monitor cabling.  
12  
 
APPLICATION EXAMPLE- Setting Up in the Cinema Sound System  
Setting up the DCA Accessories in the Cinema Sound System  
Setting up the DCA accessories in the B chain of the cinema sound system primarily involves setting the trim  
levels on the XC-3, LF-3, and SF-3. This requires the cinema processor’s internal pink noise generator and an  
acoustical real-time spectrum analyzer.  
1. Set up the analyzer microphone in the center of the cinema audience seating area  
or in another recommended location.  
2. Set the all DCA amplifiers’ gain controls to maximum.  
3. Route the pink noise test signal from the cinema processor to the left channel XC-  
3 input. Observe the frequency response on the spectrum analyzer and use the HF  
trim control on the XC-3 and the LF trim on the LF-3 to balance the levels of their  
frequency bands to that of the mid-frequency band, within specifications. If the  
shape of the HF response is not correct, use a boost setting that better corrects the  
deficiency; turn the amplifiers off before changing the switch settings.  
4. Repeat this process for the center and right screen channels and any surround  
channels that are bi- or tri-amped.  
5. Followtheprocessorinstructionsforsettingsoundpressureleveloutputsofallthe  
channels, including the subwoofer.  
If you are unable to obtain a satisfactory frequency response or SPL on a channel, carefully check the wiring  
and connections. Some likely causes are reversed speaker polarity on one or more drivers, loose or broken  
wiring or connections, or blown or damaged speaker drivers.  
A typical 6.1 surround system with DCA amplifiers and LF-3, SF-3, and XF-3 cinema accessories  
13  
 
MAINTENANCE AND WARRANTY  
Cleaning  
QSC Audio Products 3 Year Limited Warranty  
The faceplate and chassis can be cleaned with a soft cloth and  
nonabrasive, noncorrosive, mild cleaning solution. Products like  
Simple Green and Windex work well. Do not use powders or  
scrubbing pads of any type as they are usually abrasive and will  
permanentlydamagethefinishofyourcinemaaccessory. Dampen  
a soft, lint-free cloth with the cleaning solution and wipe the  
accessory gently. Ensure that cleaning solution does not get down  
into the connectors. Do not spray the solution directly onto the  
accessory as it will penetrate into the connectors.  
QSCAudioProducts, Inc. (“QSC”)guaranteesitsproductstobefree  
from defective material and / or workmanship for a period of three  
(3) years from date of sale, and will replace defective parts and  
repair malfunctioning products under this warranty when the de-  
fect occurs under normal installation and use - provided the unit is  
returned to our factory or one of our authorized service stations via  
pre-paid transportation with a copy of proof of purchase (i.e., sales  
receipt). This warranty provides that the examination of the return  
productmustindicate,inourjudgment,amanufacturingdefect. This  
warranty does not extend to any product which has been subjected  
to misuse, neglect, accident, improper installation, or where the  
date code has been removed or defaced. QSC shall not be liable for  
incidentaland/orconsequentialdamages. Thiswarrantygivesyou  
specific legal rights. This limited warranty is freely transferable  
during the term of the warranty period.  
User Maintenance  
There is no user-level maintenance on the LF-3, SF-3, or XF-3.  
Contact QSC’s Technical Services Group if service is required.  
Warranty Information  
If the cinema accessory isn’t working properly, please  
verify the accessory’s DataPort connector is properly  
seated on the amplifier and that all retaining screws are  
tight. If proper operation can not be restored, the acces-  
sory may require service. This must be performed by  
qualified service personnel. To obtain the location of you  
nearest QSC Authorized Service Center, please contact  
you QSC dealer or contact QSC’s Technical Services Group.  
Customer may have additional rights, which vary from state to  
state.  
Intheeventthatthisproductwasmanufacturedforexportandsale  
outside of the United States or its territories, then this limited  
warranty shall not apply. Removal of the serial number on this  
product, or purchase of this product from an unauthorized dealer,  
will void this limited warranty.  
Disclaimer  
Periodically, this warranty is updated. To obtain the most recent  
version of QSC’s warranty statement, please visit  
QSC Audio Products, Inc. is not liable for any damage to speakers,  
amplifiers, or any other equipment that is caused by negligence or  
improper installation and/or use of the LF-3, SF-3, or XF-3. Due to  
the possibility of the user installing a SIP resistor improperly or of  
an incorrect value, QSC Audio Products, Inc. is not liable for any  
direct or indirect damage caused by improper SIP installation or  
value selection.  
Contact us at 800-854-4079 or visit our website at  
one sent to you. This warranty does not cover shipping damage  
caused by improper packing or the use of improper shipping  
cartons.  
14  
 
HOW TO CONTACT QSC  
WORLD WIDE WEB:  
TELEPHONE NUMBERS:  
Main Number  
+1 (714) 754-6175  
Sales Direct Line +1 (714) 957-7100  
or (800) 854-4079 toll free (U.S.A. only)  
Technical Services (714) 957-7150  
or (800) 772-2834 toll free (U.S.A. only)  
FACSIMILE (FAX) NUMBERS:  
Sales & Marketing FAX  
Technical Services FAX  
+1 (714) 754-6174  
+1 (714) 754-6173  
ADDRESS:  
QSC Audio Products, Inc.  
1675 MacArthur Boulevard  
Costa Mesa, CA 92626-1468 USA  
15  
 
© Copyright 1998, 2002 QSC Audio Products, Inc. All rights reserved.  
“QSC” and the QSC logo are registered with the U.S. Patent and Trademark Office.  
QSC Audio Products, Inc., 1675 MacArthur Boulevard Costa Mesa, California 92626 USA  
PH: (714) 754-6175 FAX: (714) 754-6174  
 

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